Osinachi (@osinachiart) steps away from portraiture.
Signatures, live on @SuperRare since Wednesday, is a blind mint of 1,111 abstract works drawn by hand in Microsoft Word and animated in GIMP, inspired by Uli, the visual language of the Igbo people of Nigeria. "You all know me as the artist who tells stories through portraiture," he wrote ahead of the launch. Each mint resolves into a Fem (500), a Masc (500), a Neutral (100), a Newborn (10) or the single Seed, at $35 with cards accepted; after ETH-only collectors were locked out, he opened a 0.015 ETH option too.
Long roads, open country.
Alex Kittoe (@AlexKittoe) has released Wandering America on @opensea with the Museum of Art + Light (@museumartlight). It began as a book of the places, people and little moments he photographed across the United States over 7 years; the collection pulls from four of its chapters, pairing each with one editioned work and one rare 1/1, for 100 works in all. The photographs head to Marfa next, shown on Sat Oct 24 at One Fourteen during Art Blocks Marfa Weekend.
A darkroom that never prints the same way twice.
Costo Bravo (@BravoCosto) opened the public sale of In Development on http://ord.net on Wednesday: 18 film photographs he shot himself, each inscribed as a negative alongside a darkroom engine that develops a new print on every load. "Collectors collect a system. The process is the artwork," he wrote. The third chapter of his Non Finito series took 8 months and 108 engine versions; each work shares a black uncommon sat with its negative, and collectors can inscribe favourite settings as children.
Remember or let go.
Dalos (@Dalos) releases Unfinished Past on SuperRare today at 1 PM ET, after a presale that has been placing works with collectors since Tuesday. The series holds 150 participatory AI artworks about how we relate to memory, 105 of them available across presale and public. Each one evolves over 7 years, and every year its collector answers a single question: remember, or forget.
Machines that want to talk.
In Gangneung, South Korea, the city art museum's Gyo-dong building opened a special exhibition of Noh Jinah's conversational AI robots on Wednesday, where visitors speak with the works in real time. Since the early 2000s she has joined traditional sculpture and new media to ask what separates the human from the non-human. The Korean title translates roughly as "Anxious Yet Tender": anxiety at machines that seem to decide for themselves, tenderness at ones that move imperfectly and seem to long for connection. Free, through Jan 10.
Twenty years of creative risk in Brooklyn.
ISSUE Project Room's Artists-In-Residence program turns 20, and Wednesday's Creative Risks 2026 Gala at its 22 Boerum Place theater honored every resident since 2006, a lineage that includes Tristan Perich, Okkyung Lee, Matana Roberts, C. Spencer Yeh, Maria Chavez and Raul de Nieves. The night was built around a Long Table after Lois Weaver's participatory project and a rare reunion of Family Dynamics, the short-lived offshoot of Brooklyn collective Stars Like Fleas.
New on http://catalogue.gallery: in 1961 John Whitney made Catalog, a film of the effects he drew from a mechanical analog computer rebuilt from a World War II antiaircraft gun director, a machine about 12 feet high, years before IBM named him its first artist in residence.
And Luciana Guerra brings The Birth of Luciferina III to SuperRare, the third oil painting in a feminist series where women from art history break out of their assigned roles as hybrid, mutant figures.